|

The
Fiji Connection, Part 2
(Contributed by Bob Rivers-Smith)
Fiji Named Varieties
| |
| NAME
| Pod Parent
| Pollen Parent
| Hybridize | |
Adi Fong Toy
|
Peggy Walton
|
Surfrider
|
Ken Perks |
|
Adi Lala |
Unknown
|
Unknown
|
Ken Perks
| |
Adi Litia |
Oh |
Lilac Lady
|
Ken Perks
| |
Adi Va |
blank |
blank
|
Ken Perks
| |
Aileen Burness
|
Unknown
|
Unknown
|
Ken Perks
| |
Alisi |
Surfrider |
Tia |
Ken Perks
| |
Ambassador
Eckert
|
Unknown
|
Unknown
|
Ken Perks
| |
Anna Dickson
|
Red Dragon
|
Ginger Meggs
|
Ken Perks
| |
Apollo Tui
|
Unknown
|
Unknown
|
Ken Perks
| |
Apricot |
Unknown
|
Unknown
|
(ExHawaii-Gatty)
| |
Arthur |
Unknown
|
Unknown
|
Unknown-(Fiji name)
| |
B.B.B |
Daffodil
|
Goldilocks
|
Ken Perks
| |
B.D.Y.H |
blank |
blank |
Ken Perks | |
B.D.Y.R |
Rosehill
|
Special-SuperYellow
|
Ken Perks
| |
Bests Pink
|
Unknown |
Unknown |
Phillipa Day
| |
Betty Gould
|
Unknown |
Unknown |
Ken Perks
| |
Dark Sun
|
Unknown |
Unknown |
Dick Phillips
| |
Debbie |
. |
. |
. | |
Deuba Red |
. |
. |
. | |
Deuba Sands |
. |
. |
. | |
Deuba Surf |
Unknown |
Unknown |
Dick Phillips
| |
Diwali
|
.
|
.
|
.
| |
D.K.
11 |
Daffodil
|
Goldilocks
|
Ken Perks
| |
Double Cee
|
Carousel
|
Brown Bomber
|
Ken Perks
| |
Dusky Pink
|
Unknown |
Unknown |
Ken Perks
| |
Elections 87
|
Lady Lilac
|
Tanya
|
Ken
Perks | |
Epeli
|
Dottie
K |
Tia |
Ken Perks | |
Fijian
Pink
|
Species |
Species |
. | |
Fijian
White
|
Species |
Species (Hedstrom White)
|
. | |
Fiji Island
|
Species |
Species |
. | |
Florrie Evetts
|
Unknown |
Unknown |
Unknown (Perks seedling?)
| |
Flo Sir |
Florence C |
Sir Robert |
Ken Perks | |
Fusi |
Dottie K |
Jacqui 2 |
Ken Perks | |
Forest Fire
|
Carousel
|
Brown Bomber |
Ken Perks | |
Gill Baker
|
blank |
blank |
Ken Perks | |
Glow Girl
|
Covakanic
|
Aileen Burness
|
Ken Perks
| |
Gunmetal
|
Unknown |
Unknown |
Ken Perks
| |
Grey Chiffon
|
Peggy Walton
|
Lady Lilac
|
Ken Perks
| |
Honey Glow
|
Glow Girl
|
Honey Do
|
Ken Perks
| |
Heat Wave
|
Deuba Red
|
Sir Robert Foster
|
Ken Perks | |
Israel
Red |
.
|
.
|
.
| |
Jacqui
Scott |
Jacqui 1
|
Scotts Yellow
|
Ken Perks | |
Jacqui 1 |
Susan M |
Zellie Wagner |
Ken Perks | |
Jacqui 2 |
Susan M |
Zellie Wagner |
Ken Perks | |
Julia |
Golden Dust |
Halo |
Ken Perks | |
Katie C |
Unknown |
Unknown |
Dick Phillips
| |
Kunia
Beauty |
.
|
.
|
.
| |
Labasa
Lani |
Honolulu Lani
|
Unknown |
Phillipa Day
| |
Lady Lilac
|
Peggy Walton
|
Lilac Lady
|
Ken Perks
| |
Lautoka Star
|
Unknown |
Unknown |
.
| |
Lavenia
|
Single
Rainbow |
Poppy Day
|
Ken Perks
| |
Makita |
. |
. |
. | |
Margot |
Single Rainbow
|
Adi
Va |
Ken
Perks | |
Martha |
.
|
. |
. | |
Moira Hedstrom
|
Unknown |
Unknown |
Unknown | |
M.E.2
|
Mary
Estrella |
Unknown |
Ken Perks
| |
Murky |
Ruby Brown
|
Halo |
Ken Perks (Remarks-to Dick Phillips)
| |
Nadi Gold
|
Unknown |
Unknown |
Ken Perks
| |
Nadi Sun
|
Unknown |
Unknown |
Ken Perks
| |
Our Surf
|
Unknown |
Unknown |
Ken Perks
| |
Peni N |
Unknown |
Unknown |
Dick Phillips
| |
Pink Freckles
|
Unknown |
Unknown |
Ken Perks
| |
Poppy Day
|
Unknown |
Unknown |
Ken Perks (Remarks-to Dick Cutting)
| |
Rag Doll
|
New Vassco
|
Super Yellow
|
Ken Perks
| |
Red Dragon
|
Unknown |
Unknown |
Unknown | |
Republic
|
Unknown |
Unknown |
Ken Perks
| |
Sals |
Unknown |
Unknown |
Ken Perks
| |
Sailosa (Lilac Lady sport)
|
.
|
.
|
.
| | Scott No7
| .
| .
| . | |
Scott Orange/Yellow
|
. |
. |
. | |
Simmonds Red
|
Unknown |
Unknown |
H.W. Simmonds
| |
Simmonds Yellow
|
Unknown |
Unknown |
H.W. Simmonds
| |
Sir Flo |
Florence C
|
Sir Robert Foster
|
| |
Sir Robert Foster
|
Unknown |
Unknown |
Philipa Day
| |
Sir Leonard
|
Surfrider |
Zellie Wagner |
Ken Perks (After Sir L. Ussher)
| |
Sirsue |
Seedling 90
|
Sir Robert Foster
|
Ken Perks
| |
Strawbery Sundae
|
Helene |
Mia |
Ken Perks | |
Sunshine Special
|
Sirfroder
|
Goldilocks
|
Ken Perks
| |
Taniela |
Unknown |
Unknown |
Ken Perks
| |
Tango Queen
|
Unknown |
Unknown |
Unknown | |
Tanya |
Unknown |
Unknown |
Philipa Day
| |
Tau |
. |
. |
. | |
The Colonel
|
. |
. |
. | |
Thelma Horton
|
. |
. |
. | |
Theresa Purcell
|
Unknown |
Unknown |
Ken Perks
| |
Tia |
Unknown |
Unknown |
.
| |
Tomato
Lani |
Honolulu
Lani |
Unknown |
Philipa Day
| |
Twee |
Unknown |
Unknown |
Dick Phillips
| |
Vani |
Rellow |
Sir Robert Foster
|
Ken Perks (Remarks-to Dick Phillips)
| |
Wardens Red
|
. |
. |
. | |
Wardens Yellow
|
- |
- |
- | |
Wendy |
Khaki Kid
|
J.F.Kennedy
|
Ken Perks (Remark-to Dick Phillips)
| |
Weni (Double Rainbow Sport)
|
- |
- |
- | |
Western Sunset
|
Unknown |
Unknown |
Ken Perks
| |


CULTURAL NOTES
By Jim Purdie
I would like
to tell what I do in my garden at this time of the year, which is spring here
in Brisbane, OZ. You people
in the northern hemisphere would have to adapt to your own seasons, but here in
Brisbane in Australia, I always apply some dolomite in August to raise the pH
for one thing, which should be around 6.2 to 6.5 for best results. This allows
the plants to take up the elements in the fertilizer at this range. Otherwise
they get locked up in the ground when the soil is too acid or too alkaline, and
secondly it supplies calcium and magnesium, which are necessary for the health
of the plant. I apply it in August because it takes about 6 weeks for the Dolomite
to take affect and alter the pH. This allows the soil to be at the right pH when
spring arrives in September and for the plant to start to put on its new growth.
It can now take up the necessary food out of the ground. September is the
time for us to start pruning. As soon as we see the new growth start to appear,
you know it is time to prune to get your new branches for the coming season. I
always prune the average bush back about a third and try to open up the bush to
allow the sun to penetrate the middle of the plant. Cut off any criss- cross branches,
and any old dead wood should be removed. If you have a vigourous growing plant,
it can be cut back at least by half. Otherwise it will grow too high, and get
too big. When
you see the plant growth starting to get established, that is the time to apply
a fertilizer high in nitrogen to promote the new growth. You will not see flowers
for at least a couple of months, so it is not much use applying a fertilizer high
in potash until you see the buds starting to form. Then you can cut back on the
high nitrogen and apply a fertilizer high in potash. Otherwise you will get nice
green bushes and not many flowers as you need the potash to promote the blooms.
At the same time,
I like to apply a good covering of mulch, which stops weeds, keeps the roots cool
in the hot weather, and stops the loss of the water, which is starting to cost
an arm and a leg here. I do not know how it is in other places, but the council
keeps on putting the charges up on our water we use. I like to use a compost plus
sheep manure and cover this with some pine bark fines. When you push the covering
back, you will the roots sitting just under the mulch in the cool moist ground,
and this is something you must remember. Hibiscus have a lot of surface roots.
If you do not have a mulch covering the surface of the ground, these fine surface
roots get burned off, and your plant cannot get the same nourishment with less
roots, so remember mulch - mulch - mulch. I mix up a fertilizer
that I apply when the plants start to shoot. It consists of 4 x 2 litre ice cream
cans of Blood & Bone (I think you call it Hoof & Horn in USA), 2 cans of superphosphate,
1 can of sulphate of potash, 1/2 can of magnesium (epsom salts), and 1/4 can of
sulphate of iron. I apply a good handful
around the drip line of each mature bush, less if your bush is only young. Always
water the ground before and after applying any fertilizer, I would not apply this
mixture to any pots. It is only suitable for in ground plants. If you have plants
growing in pots then still prune them in the spring, but I think it is best to
apply a soluble fertilizer high in nitrogen until the plant re-grows and then
change to one high in Potash. I hope this will
be of some assistance to you, but you will have to make adjustments for your own
particular area.
This is what works
here for me. Good growing,
Jim Purdie, Brisbane,


A
Golden Anniversary
An Interview
with Les Beers
By Gloria White
Being new to
hibiscus, I have heard names bounced around by hybridizers and of course come
across names of individuals mentioned in books written about the Queen of the
Tropics. You will hear the following names frequently in Miami: Harry Goulding,
Gordon Howard, Pete Conrad and Joe Ludick. I met Pete Conrad and instantly liked
the man. Another name, mentioned because some people here have been lucky enough
to meet him, is Les Beers. So what has an Australian writer have to do with this
list of notables? Plenty! First of all,
Les Beers has cultivated an interest in the Queen of the Tropics for close to
50 years. As a boy, he worked in an orchid nursery for spending money. His employer
one day came back from Hawaii with several new hibiscus and that was that – love
at first sight! Les credits his love for flowers and an interest in plants from
his parents. Unfortunately, the orchid growing employer paid slight attention
to the hibiscus, so later on when Les started a career path in the nursery business,
he was able to have access to these varieties so long neglected. Les felt that
if you could show the plant in bloom, it would market itself. The trick we all
know now is to get the Queen of the Tropics to show her pretty face when you want
her to, and Les was faced with a similar dilemma. Since the blooms last only one
day, what was he going to do? Well, the trick was to produce plants with numerous
buds. In 1958, Les
and Nancy Beers established Hibiscus Park Nursery but at this point in time there
were not enough different cultivars to specialize in hibiscus alone. So they kept
stocking the nursery with other plants to keep it going and later were able to
import new hibiscus varieties from Ceylon, Fiji, Hawaii, and then Florida. Their
nursery had a display room, which held 300 blooms a day during the season. These
blooms enabled the Beers to sell their plants and later on they added to their
inventory to keep the hibiscus lovers happy. Les proudly
claims credit for the interest for hibiscus in Sydney because of the many visitors
that walked through the display room and became enchanted by the Queen of the
Tropics. He feels that hibiscus are “on the map here in Australia” because of
the hibiscus interest created from his display room. Les further adds that the
climate in Sydney is perfect in the autumn for hibiscus. Les was invested
as a Fellow of the Australian Hibiscus Society in 1967. He is a lifetime member
of the American Hibiscus Society, which he joined in 1960. He is a noted authority,
hybridizer and grower of hibiscus and is often consulted when a book that will
contain information on our favorite flower is being written.
The artist Peter
Longhurst released “Hibiscus,” a limited edition two- volume set in 1978 and 1979.
Les was invited to identify the varieties drawn in the volumes and write the text
for the 250 copies released for these two volumes. Copies of these editions exist
in private collections and some people have been lucky enough to find copies in
specialty bookshops. In 1985, Les
collaborated with another noted hybridizer, grower and authority, Jim Howie. Out
of this effort, “Growing Hibiscus” was born, which proved its popularity with
reprints in 1986 through 1987 and a second edition published in 1990. A third
edition was released in 1995. “Growing Hibiscus” is currently out of print, but
a fourth edition is under consideration. Les is also
a contributor in the book “Ornamental Trees and Shrubs” by Raymond J. Rowell,
his college mentor. Les’ text contributions can be found in “Horticultural Flora
of South Eastern Australia” from the Roger Spencer Royal Botanical Gardens in
Melbourne; “Encyclopaedia of Australian Gardening” by Bay Books; and the “Gardeners
Encyclopaedia of Plants and Flowers” by Readers Digest. Les’ contributions to
hibiscus literature lives on in articles found in “The Seed Pod,” the official
publication of the American Hibiscus Society, the “Hibiscus Digest,” gardening
periodicals, local newspapers, journals, and newsletters for nursery associations
and garden clubs. He can be found as a speaker at garden clubs when time permits.
He considers
himself a “pollen duster for many years,” but now Les finds the time to pursue
his interests in hybridizing. The list of his cvs goes on and on, and many pictures
can be found in “Palmer’s Hibiscus in Colour.” Among his best are: Ben Lexcen,
Cindy, Crown of Warringah (sport), Enid Lewis (sport), Jay’s Orange, Boondah,
Orange Pride, Patricia Noble (sport), Richard Bodnar, Summer Sun, Colombus, Warriewood
Gem, Annie Wood, Caroline’s Dream, Dame Joan, Emily, Guy Mitchell (sport), Jason,
Kay’s Girl, Jay’s Pink, Alyrah Carol, Chelsea Rose, Jim’s Star, Jay’s Lavender,
Fruitsalad, Matty Man, Professor Topp, and Watermelon Wine (sport). Les further
states that Emily, Jay’s Orange and Warriewood Gem “perform well under most conditions”
and have great commercial value. If he had to
choose a favorite hibiscus, hands down it would be Golden Belle. Les says, that
properly grown these blooms are perfect. The fault, of course, is the bush, but
he says the bloom seduces you with its magnificent size, color and texture. At
one time, Les had over 600 varieties growing in his garden but has culled down
cvs to the very best 100. He has dedicated the space in his garden for only his
favorites in his quarter acre block. Les has an enormous
interest in native Australian plants and lets you know that they require special
attention. Until he came under the spell of the Queen of the Tropics, he considered
growing Australian native plants. He would walk through the bush around Sydney
admiring the diversity found there. But that was in the days when there was a
lot of bush around Sydney. Nowadays, there are only pockets left, but if you know
where to look you will find some marvelous plants. Les offers his
best advice to novices. Feel free to ask other growers about their “culture and
successes.” Les says they are willing to tell you their secrets if you are willing
to listen. “Look around,” he offers, “and see what does well for your area.” “Hibiscus
are highly bred, and each one likes different conditions. Learn to read your plant,
try different cultures and use the one that best suits you. One is never too old
to learn.” When he started out he met Harry Goulding, Ross Gast, Eric Golby, and
Norman Brubaker. He says these greats were very free with their knowledge and
all you had to do was listen and “put it into practice.” Les wants you
to know that he will never get to the point where he will know all there is to
know about hibiscus. He continually dabbles with different grafting methods, fertilizer
sprays, and any other technique that might help his plants. Everyday there is
something new. In fact, Les says that if those hybridizers could see the “wonderful
world of hibiscus” in this golden age, they would be amazed. They would recognize
some old cvs like Ross Estey, Surfrider, Golden Belle and Mollie Cummings that
will remain favorites for a long time. One more piece of advice from Les: “Keep
on trying. Success usually comes after failure. Just learn from your mistakes
and watch your plants. They will let you know if you are not doing the right thing.”
Thank you Les.
I think there are many newbies out there in our global community who will thank
you for your words of wisdom. And the mysterious flower genie surveyed the enchanted garden an
hour after dawn. In the early morning light, there was a gem so golden it rivaled
the sun for color. Heavily textured and wonderful to behold, the mysterious flower
genie took this marvel into her hands and gazed transfixed by the golden aura.  From the chronicles
of the mysterious flower genie from the peninsula of flowers - Golden Belle.

Profile
in Exhibiting the Queen
of the Tropics
An
Interview with Janice McNatt of Pearland, Texas
By Gloria White Last November,
I was thinking of entering hibiscus blooms in the Miami Chapter of the American
Hibiscus Society’s yearly show. I had only six gvs open that day, and so I clerked
for the judges to preserve my amateur status for when I had learned a few more
hints and had more flowers to show. But I did not go to my first show unarmed.
I had met Janice McNatt through the THML, and she freely gave me information on
what I needed to know for the show. It was valuable information for a beginner
so I chose Janice to help anyone getting ready to try their hand at showing the
Queen of the Tropics. Janice lives
in Pearland, Texas, a quiet suburb 25 miles southeast of downtown Houston. Janice
has been working in the medical field for over 28 years and now is a surgical
technician. Not living in
the tropics, Janice had never seen an exotic hibiscus and like myself had no idea
at the range of color, texture and sheer size available in these blooms today.
Until 3 years
ago, she had no idea there was a group of people who dedicated their pastime in
discussing, growing, hybridizing and showing hibiscus. What she saw available
gave her the same reaction I felt when I first saw this new world. She wanted
one of each! But first she needed a bigger yard. In her first
year at following the shows, Janice watched and learned the tricks necessary to
arm herself with what she needed to know when her time came to prepare blooms.
She volunteered
to help the Lone Star Chapter’s Roz and Pat Merritt in any way possible. In this
capacity, Janice learned the names and preparing the blooms, and it was made easy
since the Merritt’s come to a show with hundreds of blooms to enter. Janice did
not come to the hibiscus shows without showmanship experience due to her past
interests in tournament level tennis and showing horses.
Janice offers
this advice to beginners. You start with a perfect bloom, which sometimes is picked
the day before and stored in the refrigerator overnight. When the flower is a
third of the way open, you pick it leaving enough stem for you to handle it and
avoid damaging it. Place the bloom on a dampened (not wet) paper towel, which
is folded to look much like a burrito. You can then store several blooms one on
top of the other burritos in a ziploc bag to be kept overnight in the vegetable
crisper portion of your refrigerator. These blooms
can then be unwrapped and placed in paper cups with the bottom cut out or the
paper funnels used when pouring motor oil in your car. This is all done before
leaving for the show.
The blooms take
30-40 minutes to warm enough for you to handle them without damage. After they
warm up, little handling is required. You hold the flower by the stem and you
scoop it in an upward motion to open it, causing the bloom to lay flat. Always
ensure that you do not disturb the sequence of the petals. These are your first
entries. Blooms produced
the same day are difficult to open early in the morning and require the warmth
of the sun to enable them to open. It is often better to arrive a little later
to the show and not force the bloom because this will cause damage to them. Enter these
blooms later in the show and make sure the flowers lay flat. Janice also suggests
not to enter all your blooms at the same time because judges rarely give gold
ribbons to all the flowers on a given tray looking for that superior bloom, so
it is better to space your entries. Her final piece
of advice is to enter as many blooms as possible as an amateur, even garden varieties,
because even though a gv will not make the head table, a gold is a gold. These
points count towards the sweepstakes ribbon when they tabulate your sweepstakes
numbers. Janice is now
a junior judge where she can learn by working with gifted senior judges and learning
what it takes for a flower to be Best of Show. Janice is now
an open collector and looks forward to exhibiting at the Texas and Louisiana shows.
We wish you
lots of luck Janice, and you kick some calyxes! As the time came for the mysterious flower genie to display her gems
of many colors, she chose a table not of gold or silver because that would detract
from their beauty. The genie chose a table of simple wood and laid the gems on
rich black velvet to showcase their lovely colors. The mysterious flower genie had waited for this day to show the world
her collection of gems, a treasure worth several kings and queen’s ransoms. Some
were priceless, some were without match and many were a joy to behold. Of all
the gems that were shown that day, one stood out in the crowd of beauty.
This gem glowed as a pearl of pink and was beautiful beyond compare. From the chronicles of the mysterious flower genie from the peninsula
of flowers - Oyster Pearl. Oyster Pearl Photography by Chris Noble, OZ


HIBISCUS
CARE
by Richard Johnson
LOCATION When you bring
your first hibiscus home, like any new member of the family, the first thing to
consider is where they will be most comfortable. It might come as a surprise,
but where you might feel comfortable, your hibiscus will too - that is in terms
of temperature. Hibiscus will thrive with temperatures from 60 to 90 F. Outside
of this range they will be stressed. Below 50 F, they will cease to grow and bloom,
and freezing temperatures for more than the briefest of time are likely to be
fatal. If you live in other than a tropical or subtropical area, you will have
to plan accordingly. One of the first decisions will depend upon how frequently
and for how long you might risk temperatures that will endanger your hibiscus.
If you only have occasional brief periods of cold, you have two choices: in ground
plantings or planting in pots that will be exposed to outside conditions except
when protecting them from cold. If you live in areas with prolonged severe winters,
your hibiscus will have to be grown in pots and a place for them made available
during such months. This could be a temperature controlled green house or your
own home. You will also want to find a location with proper
sunlight. Species hibiscus and garden varieties will often flourish in full sun.
However, many of the cultivated varieties will prefer perhaps just a half day
of full sun and some will do fine with as little as just an hour or so of full
sun and the rest of the day in filtered sun or light shade. If your summers are
extremely hot, more shade is recommended. If you plant your hibiscus in the ground,
try to plant them at least 3 to 5 ft from trees or other large shrubs to prevent
root competition. One of the advantages to growing hibiscus in pots is that you
can move them from one location to another until you find the conditions, which
suit them best. PLANTING
OR POTTING Hibiscus like soils which drain well so that their
roots are never soggy wet for any extended period. A means of acquiring this kind
of drainage is to mix two parts of heavier soil with one part of coarse sharp
sand. (Sharp sand is that which results from rock crushing operations as opposed
to river sand, which is round and smooth.) In the case of potted plants, those
soil mixes that are made for hanging baskets, normally have built in good drainage.
Your new hibiscus will likely arrive in a container of one sort or another and
may already be in need of repotting. This is easily determined by either looking
for roots coming out of the drainage holes or carefully sliding the plant out
of its pot and inspecting the roots. If there is a mass spiraling around the pot
at the bottom, it is time to repot. Here you have two options, either trimming
the plant to fit the same pot or moving it up to the next larger sized pot. If
your plant is already of substantial size and you want to keep it in the same
sized pot, remove about 1/3rd of the roots and 1/3rd to ½ of the top branches.
It is prudent to sterilize your pruning shears before and after doing each plant
in a strong bleach/soap solution or product like Physan to prevent the transfer
of disease. Prepare either a new pot of the same size or the old one, which has
been thoroughly washed. Used pots, especially if it is suspected they might have
previously housed diseased plants, should be sterilized with a solution of Physan
or similar – a 20% bleach solution will also do (1 part of Clorox to 4 parts of
water). Renew the soil removed with fresh potting mix while placing the plant
so that it sets at the original soil level, which should be about an inch below
the rim of the pot. If going into a larger pot, select the next bigger size, for
example moving from a 3-gallon pot up to a 4- gallon pot. It is important not
to over pot, which means that you don’t want the plant to have more planting medium
than the roots will be able to make use of in the next growing season. Over potting
can lead to root fungus problems especially in cooler weather. If you want your
plants to reach maximum size and live permanently in a pot, 7 gallons is about
the smallest that will do the job, but as mentioned, work up to that size gradually.
WATERING Generally speaking hibiscus like to be kept damp but
not soggy wet for anything more than the briefest of periods. Normally, it is
best to water thoroughly and let the plants absorb the moisture retained by the
growing medium until the surface becomes dry. To test this, push the forefinger
into the soil. If no moisture is detected within an inch of the surface, it is
time to water. The frequency for watering is dependent upon a number of factors
including the size of the plant, the amount of medium it is growing in, the ambient
temperature, exposure to sun and wind, etc. In very hot weather with plants exposed
to considerable sunlight, daily or even twice daily watering may be necessary.
During winter months at reduced temperatures, once a week may suffice. Its better
to error on the side of too dry than too wet since the former only results in
wilted leaves which will quickly return to normal upon watering, while the latter
can result in root disease and eventual loss of the plant. The best means of watering
is via an automated drip watering system that is set up so that a small amount
of water is delivered over a longer period of time, resulting in the media being
well saturated to the bottom. Hand watering is fine if done correctly. Just filling
up to the rim may not be enough to saturate a quite dry pot, resulting in just
the upper level of the soil being moist and encouraging many fine surface roots.
One may have to pass over and fill the pots twice or more. This is a simple affair,
when watering plants that are in close proximity. One simply waters all in the
area and then returns to the first pot and repeats the process. A good test is
to water what is considered to be an adequate amount and 15 minutes later carefully
slide one plant out of the pot to see if it is saturated to the bottom. Plants
that have thoroughly dried out may seem saturated as evidenced by the water flowing
out of the drainage holes, when in fact the central mass is still quite dry since
water couldn’t be absorbed as rapidly as it escaped around the edges and out the
drains holes. If a plant is wilted and dry, water it and it will likely recover.
If it is wilted and damp, it may have a root disease preventing the uptake of
water and adding more water only increases the problem. FERTILIZING To grow and bloom optimally, hibiscus need continual
fertilization, although they will survive and bloom under conditions of considerable
neglect as well. Fertilizer should be applied to well-watered plants and never
those that are bone dry. Generally lighter dosages more frequently are the very
best. The easiest means of accomplishing this is through the use of time release
fertilizers like Osmocote. Depending upon the formula and the mean temperatures
over the duration, some are good for as much as 9 months. However, these fertilizers
are only considered desirable where temperatures exceed 60 F. There are other
granular fertilizers such as Nitrophospka which are used with good success on
hibiscus, but some report that the continual use of this kind of fertilizer results
in a crust like build up on the surface of the soil. Liquid fertilizers or those
that dissolve in water can be excellent, especially when incorporated into automated
watering systems that can deliver a lesser dosage at each watering. Although any
fertilizer is better than none, some are more suitable to hibiscus than others.
At the bottom of the list are the bloom booster formulas high in phosphorus such
as Miracle Grow. The basic essential ingredients contained in fertilizers are
nitrogen ”N” (the first letter), phosphorus ”P” (the middle number) and potassium
“K” (the last letter) which is abbreviated as NPK. The corresponding numbers indicate
the ratio of these ingredients. For example, an NPK formula of 9/6/12 would have
phosphorus in the lowest concentration, followed by nitrogen with potassium being
the highest in concentration. This represents the ideal formula, i.e., “P” phosphorus
in the lowest concentration and “K” phosphate in the highest concentration. An
excess of “P” phosphorus tends to build up in the soil and prevents hibiscus from
uptaking or utilizing other needed elements. In addition to the above three major
elements there are those referred to as minors which are necessary to optimum
growth and include: sulfur, magnesium, calcium, iron, chlorine, manganese, boron,
zinc, copper, molybdenum. If you cannot find a formula that includes minors, they
can be added through supplementals, such as fish emulsion, sea weed extracts,
blood and bone meal. Magnesium often not found in sufficient concentration in
most fertilizers can be obtained by adding a couple of table spoons of Epson Salts
to a pot every month or two. Lastly, for these elements to be accessible to hibiscus,
a pH on the just slightly acid side at 6 to 7 is ideal. The more the pH varies
from this ideal the less various elements provided by fertilizers will be available
to them and the plants suffer accordingly. The environment in which the complete
soil mix and nutritional elements are contained is equally as important. To maintain
it in the best condition, a mulch on the surface is highly recommended. It serves
to buffer temperature and humidity and keep weeds at a minimum while generally
helping to maintain an optimal soil environment. If your hibiscus are in pots,
the pot itself can be isolated from direct contact with the sun by placing it
inside of another pot to help prevent overheating. Alternatively, the pot can
also be placed amongst shrubbery or itself planted into the ground for the warm
season in a fashion that it can be easily removed to a protected location in the
event temperatures may reach freezing as the seasons turn. PRUNING Hibiscus placed in a suitable area, with proper growing
media, water and fertilizer will grow and flourish. However, if optimal bush shape
and maximum bloom output are desired, pruning is essential for most tropical hibiscus.
A small plant received in a 3” pot, should have its one or two vertical stems
pinched at the tip when there are at least 4 leaves or nodes on the branch. This
is accomplished by snipping off the growing end with the thumbnail by pressing
it against the forefinger and is referred to as pinching, pinch pruning, tip pruning,
etc. Ideally this will result is the formation of two or more branches on each
stem. When these have 3 or 4 leaves, pinch again. A third pinch is only necessary
if the previous pinching didn’t result in the number of branches desired to form
a nice shaped bush. Remember, hibiscus generally produce new flowers at the tips
of each branch, so more branches not only provides for a more beautiful bush but
many more blooms as well. The price one pays is that blooming is delayed while
each new branch develops. Larger bushes can also benefit from pruning to both
improve their shape and increase vigor. The severing of the branch sets off a
series of physiological processes, including the production of auxins and growth
stimulants. Hence, pruning can revitalize an older bush, which has slowed its
growth. If one is reluctant to prune due to the loss of flowers, prune sequentially.
This simply means to trim the central branch first, and as it reaches bloom maturity
progressively prune the lateral branches. Remember the branch pruned first will
be the tallest when the pruning process is completed, hence the reason for commencing
with the central branch first. There is also a technique to pruning. As the most
likely place for the new branch to grow from is the leaf or two just below the
cut, one can pretty much choose where they want the new branch to come from. Generally
it is best to cut about 1/4” above an outward facing leaf. The cut should be made
diagonally so that water will tend to flow off the wound and reduce the likelihood
of infection. Although often unnecessary, pruning tar can be applied to the newly
pruned branch. If one has a bush that has grown ugly, it can be reshaped from
scratch. First, decide at what height you want the first branches to appear and
prune just above the leaf at that point. If there are no leaves on the plant below
the point you want to prune, there is a small chance there are no live growth
points, in which case pruning at this point might result in the destruction of
your plant. There is a way to solve this. Make a test prune somewhat higher above
the lowest leaf. In a few weeks new leaves will start to appear where there are
live nodes. It is then safe to prune just above one of these new growth points.
This method also provides you greater flexibility is choosing just where you want
the new growth to come from. As those branches grow, prune them until the desired
bushiness is derived. Hibiscus can be pruned most any time of the year, so schedule
pruning to your seasons and needs. Generally, it is best to prune in early spring.
This will produce maximum blooms 6 to 8 weeks later. INSECTS
& DISEASE The strongest defense against insects and disease,
are healthy well-grown plants with a minimum of stressful conditions. However,
there will come a time when intervention of one sort or another is necessary. With regard to insects, the first means of defense
is biological, i.e., development of a healthy and diverse garden, which keeps
pests in control by natural predators. For instance lady bugs and especially their
voracious larval stages devour aphids and many other hazardous insects. Accordingly,
when additional intervention is required, the welfare of these natural predators
as well as other non-intrusive inhabitants of the garden should be taken into
consideration. The second level of defense consists of mechanical
means of extraction or eradication. White ice cream containers with one inch of
water in the bottom to which has been added a couple of squirts of dishwashing
detergent, make excellent traps for pollen beetles which damage flowers. They
are attracted to the white, like a large white flower, and when flying into the
soapy solution, quickly drown. Note, without the detergent they will likely escape
and your traps become a nesting ground for mosquitoes. Sticky tape can be used
to collect other flying insects like white fly. Copper tape builds up an electrolytic
barrier across which snails and slugs will not pass. Containers with a small amount
of beer, will attract and drown slugs. Predatory snails are sold for the control
of slugs. Wood ashes and diatomaceous earth provide barriers across which ants,
slugs and other pests will not cross. Also, included in this category is water
either sprayed at normal or high pressure to areas of infestation. Simply spraying
a plant down with a hose end nozzle can be quite effective for aphids and to a
lesser degree for white flies. There are special pressurized water wands for this
purpose that will actually remove scale. With minimal imagination one can be fashioned.
Remember the undersurfaces of leaves are especially important areas of insect
infestation so concentrate here with any contraceptive measures.
The third level of defense would include non- or low-toxicity
chemical agents. There are a number of brands names that specialize in such products,
e.g., Safers, which take various forms such as insecticidal soap, fine oils, etc.
Dish soap applied at a teaspoon per gallon will rid a plant of many pests. Fine
horticultural oils sprayed over the entire surface of a plant will smother most
attached or sucking insects and in some case their eggs as well. Orthene Volck
oil is such a product. These products should be applied to well watered plants
early morning or late afternoon to avoid burning the leaves of the plant being
treated. The fourth level of defense is to employ granular
systemic insecticides such as disystan or marathon. Although highly toxic, the
chemical solutions pass into the plant through the root system to permeate the
tissues, which although harmless to the plant itself, becomes fatal to sucking
insects. These agents generally do not enter the bud itself in sufficient concentration
to protect the flower from the damaging activities of insects. Although potent,
as the active agents are contained inside the plant, beneficial insects are for
the most part unaffected. The last line of defense is potent specialized chemicals.
If possible, to restrict the damaging side effects (beneficial insects, for example)
only spot treat areas of heavy infestation. A particularly potent combination
is a triple dosage of imidacloprid found in products like Confidor into which
has been added Orthene Volck oil and applied by a hand sprayer. Spot sprayed once
or twice a week for several weeks, it has been found to eradicate erinose mite
and snow scale, two of the most stubborn problems. This is a generalized treatment
interval, but for specific information check the life cycles of the insect or
mite in question, especially the gestation period of eggs which might not be killed
by the treatment and spray again just after that period. Mites are often little
affected by normal insecticides, hence, special miticidal products are recommended
and again used with a fine oil like Orthene Volck oil is even more effective.
There are number of fungal or bacterial disease which
can damage hibiscus. In many cases these coexist at tolerable levels doing little
damage to the plants, and in at least on case, e.g., microrizal fungi, are considered
beneficial and even necessary to a plants health. When any of these disease agents
get out of control, measures may be necessary. Again prevention is the first line
of defense. Hard wood bark is considered to have anti fungal qualities but must
be used at a threshold percentage in the mix to be effective. In the soil, root
fungus can be a killer. As this group of fungi grow best at the cooler temperatures
of 40 to 60 F (5 – 15 C) and in wet soil conditions, the preventative measure
of avoiding these conditions is the first recommendation. A household remedy that
works in many cases is the use of a 10 or 20% bleach solution. Physan is considered
multi action: anti viral, anti fungal and anti bacterial and is particularly effective
in helping maintain sterile pots, cutting tools, etc. COMMON
PROBLEMS Yellowing Leaves: Tropical hibiscus are evergreen
plants meaning that they always have green leaves which eventually become old,
turn yellow and are replaced by new leaves. This is a normal process. However,
yellow leaves in excess can be an indicator of problems. The first thing to suspect
is stress. Hibiscus like each day to be the same, meaning they appreciate static
conditions with minimal fluctuation. If there have been temperature or moisture
extremes, hibiscus will respond by more yellow leaves than normal. It could be
related to events, i.e., the moving of a plant from one location to another or
their having been treated chemically. It could be due to insect or mite infestations,
so close inspection of the plants is in order. There are a dozen or more reasons
why an excess of yellowing leaves might occur, so you need to become a hibiscus
Sherlock Holmes and deduce the most likely cause pending an evaluation of all
the factors. Bud Drop: A small
percentage of bud drop seems to be somewhat normal, and some varieties are more
prone to bud drop than others. At higher temperatures certain varieties may produce
buds but few if any develop to maturity, but these plants return back to normal
as the weather cools. In other varieties, they simply cease to produce buds at
all at higher temperatures. Some are sensitive to under or over fertilizing and
respond by dropped buds. There are cases when bud drop is the result of insects,
either gall midge or thrips. In the case of gall midge, cut the dropped bloom
in half with a sharp cutter and closely observe the cut surfaces. If you see something
jumping, almost like liquid particles popping off the top of a carbonated drink,
you’re probably seeing the gall midge larvae and have likely found your problem.
Thrips will lay their eggs in buds, but this usually results in bud drop at an
earlier age. Fungus can attack buds, in which case they tend to putrefy. Again
observations and deduction are your best weapons. LISTEN
TO YOUR HIBISCUS The above are the basics of hibiscus care, but the
last and one of the most important aspects, is to frequently visit and inspect
your plants. They definitely can communicate, and it is up to you to understand
their language. When the leaves droop, they are telling you something is wrong:
either not enough water indicated by drooping leaves and a dry potting media or
root fungus preventing the roots from functioning and getting water to the leaves
indicated by a moist pot and drooping leaves. It’s up to you to hear what your plants are telling
you, and this is part of the reward of growing hibiscus, for when you listen they
thrive and produce their incredibly magnificent blooms, making the both of you
happy to be alive. United States Hibiscus Society
Publications American
Hibiscus Society – The Seed Pod Lone Star Chapter
(AHS) (Houston) – The Petaloid Acadiana Chapter (AHS)
(Lafayette, Louisiana – “Hooked on Hibiscus” Baton Rouge Chapter
(AHS) – “Hibiscus Gleanings” Space City Chapter (Pasadena,
Texas) - “The Growing Pains”

Back to home
page © 2004 International Hibiscus
Society |